Unveiling the Mysteries
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While a negative image reverses the features of the person, a negative of the Shroud image results in, as it were, a positive image, showing us the man as he stood before us. This development was only the beginning: the next century would see progress on many fronts in Shroud research, culminating in a five-day research mission in , inspired by the fact that a tool called the VP—8 image analyser was able to process a unique 3-dimensional image on it. Why was this significant? As photographer Barrie Schwortz explained during his talk, the VP—8 image analyser is used to examine the light and dark areas in an image, and, using this information, can create a proportionate three-dimensional image.
But images of the Shroud, when put through the VP—8 analyser, did create a natural relief of the human form, indicating that the Shroud was not a photographic image as some theories have suggested. Given this intriguing development, a research team was put together to go to Turin and examine the Shroud thoroughly.go to link
Unveiled Mysteries Index
In , photographer Barrie Schwortz had just wrapped up a contract working as a photography consultant at Los Alamos labs. There began a lifelong fascination and passion for Schwortz.
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As one of the documenting photographers, Schwortz was responsible for photographing the entire process of the research mission—a five-day research marathon that is the most thorough analysis of the Shroud to date. But how do you begin to analyse a cloth that could be years old? Very carefully. Over 17 months of planning went into the trip, and they scheduled their five-day trip down to the minute.
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The detail involved: inside one of the over 80 equipment crates that the team brought with them was a special table to lay the Shroud on, so that it could be held in place with non-invasive magnets; a specially designed camera rail so that they could photograph the Shroud in sections, keeping the distance exactly the same so that they could perfectly match up the photographs later to get a complete picture; and two rolls of gold foil mylar, the material used on satellites, which came in handy after they found out that the steel on the special table had corroded and that they would need to lay something else on the table before putting the Shroud on it.
Yet another example of the planning involved: the magnets used to hold the Shroud in place on the table were coated in Teflon, so that no magnetic particle would touch the Shroud. The head of the chemistry team went to the company 3M makers of the Post-its and sticky notes you might use on your billboard at home to make a special tape that would not leave residue on the Shroud.
What exactly has caused the image, though, is still a mystery. While many have heard of the Shroud of Turin, not as many have heard of the Sudarium of Oviedo. Yet, this smaller head cloth has a deep link with the Turin Shroud. Historian Mark Guscin, an expert linguist and world-renowned researcher on the Sudarium, attended in person and addressed the conference on the second day.